Review: BELIEVE (21 Shepherd St)
Improvised? Yes. Chaotic? Anything but. BELIEVE's brand of spontaneous music unfolds with remarkable coherence.
Improvised? Yes. Chaotic? Anything but. BELIEVE's brand of spontaneous music unfolds with remarkable coherence.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
A fluid festival of sound and vision explores how music moves – and is moved by – the world around it.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
As 2026 Composer in Residence at the Canberra International Music Festival, Fiona Hill presents a body of work in which collaboration is more worldview than method.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
Luminescence Chamber Singers is set to premiere a new, electronically infused program. AJ America breaks it down for Maddy Briggs.
Pulsing with club beats, Peter Van Hoesen's electronic score rewires a Hollywood action classic.
A visually startling spectacle performed by dancers wearing eye-popping exoskeletons and prostheses.
Isobel Waller-Bridge chats to Maddy Briggs about her new album, Objects, which shines a magical lens on mundane objects and sounds.
A technological spectacle, Children of the Resistors spotlights Sydney’s experimental talent emerging from the underground at Oxford Art Factory.