Björk’s opening concert as the headline act in the 2023 Perth Festival was by turns exhilarating, thought-provoking, achingly beautiful, grotesque, disturbing and euphoric.

I can only describe it as Art, but “Art” without pretension or gimmick. It made me think. It challenged me. It wasn’t always immediately easy to understand.

In an over-saturated market of modern commercialised music, Björk defies categorisation. She seems to be the only artist who has succeeded in both the commercial world while effectively maintaining the purest sense of her own creative vision. Hers is a distinct and worthy voice in a world of profit-focused noise.

Björk at Langley Park, Perth. Photo © Santiago Felipe.

Cornucopia features astounding digital imagery (by media artist Tobias Gremmler) which at times reacts to sound stimuli, and at others morphs and throbs on enormous screens surrounding the purpose-built stage. It creates a digital theatre-cum-sci-fi world pulsating with strange and unusual visuals, sometimes resembling human-like creatures (with fins, spikes and branches), plants, fungi, body parts, flowers and Björk-like figures.

Its visual parentage lies in her Utopia album, in which a kind of post-apocalyptic future is envisioned where human forms morph with plant and animal...