The program notes describe Flight Memory as a “narrative song cycle”, but while experiencing this brilliant production, I thought it more a kind of “documusical”; it is much more than a song cycle.

As is the whole production, the story is out of left field. Who would have dreamed up the concept of a theatre piece based on the work of David Warren, the Australian scientist who invented the Black Box Flight Recorder, much less do it in jazz?

But, when you look at the stories behind Warren’s invention, the frustrations, belittlements, naysayers and the ultimate triumph certainly are compelling themes destined for the stage.

Flight Memory. Photograph © Peter Hislop

Commissioned by The Street Theatre and directed by its Artistic Director and CEO, Caroline Stacey, Flight Memory features a minimalist, but very effective set by Imogen Keen that not only extends into the audience but gives the stage the perception of endless depth. That, and truly creative and effective lighting by Niklas Pjanti, enhanced the drama and emotion in the work overall. On sound was Kimmo Vennonen, who expertly twiddled knobs to ensure flawless balance and highlights, including creating effects such as...