Combining keyboards, vocals, and expansive electronics, Polish pianist and composer Hania Rani uses extensive classical training as a springboard for multi-genre exploration.

Incorporating elements of jazz, ambient electronica, and post-minimalism, her “neo-classical” style echoes contemporaries such as Nils Frahm or Max Richter.

Similarly using electronics and effects to expand the possibilities of a traditionally classical instrument, local Melburnian post-genre violinist Xani was up first as the show’s opener. A unique and captivating performer, Xani layers live loop upon loop with a stunning command of rhythm.

Knocks and taps on her electric violin quickly combine into full percussion lines. Live effects pedals create groovy bass lines, delays are used to spectacular effect, and before you know it, she’s created an entire band’s worth of sound. Given the number of layers, perhaps the most impressive aspect is the tautness of her compositions. With the deft speed at which she creates full soundscapes, nothing ever feels dragged out. Indeed, her short set of five tracks felt over far too soon.

Given the lack of programs or announcements, many in the audience were surprised at how quickly the interval had arrived.