English tenor Allan Clayton discusses A Winter’s Journey, a new staging of Schubert’s mournful song cycle Winterreise, and explains why he is drawn to bleak work and outsider roles.

Allan Clayton is a Grimes for today in Deborah Warner's heart-breaking and insightful update.

Artistic Director Paul Kildea promises audiences the "broadest possible definition" of chamber music, with a season that reaches across cultures, genres and borders.

Clayton helps Liszt’s hurled lances to the future find their target.

Glyndebourne’s Hamlet scrubs up splendidly on DVD.

Bangarra's Bennelong leads the pack, with Muriel's Wedding, Beautiful: The Carole King Musical and Brett Dean's Hamlet close behind.

Brett Dean’s intense, immersive new opera makes for a thrilling start to this year’s Adelaide Festival.

From Glyndebourne rehearsal room to triumphant opening night, British tenor Allan Clayton recalls the roller coaster ride involved in bringing Brett Dean’s complicated new Hamlet to life.

After a dazzling reception at Glyndebourne, Neil Armfield's production is coming to Adelaide – without a dog as Horatio.

Brett Dean’s new opera can be accessed for a limited time on the Telegraph and Glyndebourne websites. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Brett Dean wrangles the moody Dane into two-and-half hours of thrilling music theatre.

Composers from Berlioz to Verdi have shied away from the complex Dane, but not Dean, whose opera is opening at Glyndebourne.