The Song Company delivers superb performances all round in this expert interpretation of Renaissance polyphony and related modern works.

A newly formed Artistic Advisory Committee will be chaired by Paul Stanhope, with guest directors engaged in 2023 as Artistic Director Antony Pitts steps aside.

The Song Company’s Arms of Love is a revelation in musical programming, breaking all the rules of performing old music and arriving somewhere truly exhilarating.

The ethereally voiced Australian countertenor Max Riebl, described "as a prince of a human being", has died of cancer, aged 30.

Antony Pitts leads The Song Company Apprentices through a stirring program of works from Antoine Brumel to Alice Chance.

Two Renaissance masterpieces are bookended with two contemporary Australian compositions.

Pocket edition of Brahms’s great humanitarian masterpiece is still writ large

The Song Company establishes a new Christmas tradition with an engaging performance of carols – some new, some old, but all beautifully performed.

The national vocal ensemble has announced its program for next year, including a MainStage performance of Brahms' A German Requiem, intimate recitals in its Close-Up series, and more adventurous Underground performances.

The concert from The Song Company, which features a new arrangement of Gavin Bryars' minimalist classic, Jesus' Blood Never Failed Me Yet, is fascinating acoustically and visually.

With the company’s MainStage program kicking off in May, Antony Pitts and Francis Greep talk to Limelight about how the company is navigating the turbulence of the global pandemic.

Celestial sounds from underground as The Song Company delivers an expert and enlightening performance in Tudor polyphony.