Review: Closer (La Boite)
Patrick Marber's landmark drama still has the power to shove a new generation of audiences out of their comfort zone.
Patrick Marber's landmark drama still has the power to shove a new generation of audiences out of their comfort zone.
An epic tale full of flawed characters and moral quandaries adapted from the earliest Chinese-language novel published in Australia.
Strap yourself in. La Boite Theatre's new Artistic Director Courtney Stewart promises to take audiences "to places they’ve never been".
The exciting season includes a Sondheim musical, two new Indigenous plays among seven Australian stories, and an adaptation of a best-selling Australian novel.
Loud, frantic and utterly hyperactive, Top Coat features powerhouse performances and a dazzling script by Michelle Law.
The latest arts appointments and departures.
The Queensland director comes full circle to lead La Boite into its second century.
Act 2 features Richard Roxburgh as Prospero in The Tempest, Meyne Wyatt’s City of Gold, and the premiere of five new plays by Australian playwrights.
Noongar man Ian Michael will spend this year at STC gaining experience as a director, while Courtney Stewart has been appointed as STC's Directing Associate.
Shari Sebbens has been appointed Resident Director, while Courtney Stewart is the company’s new Richard Wherrett Fellow.
Productions include the return of Fangirls and A Room of One's own, three new Australian plays, and The Cherry Orchard.
The CAAP Directors Initiative unites three state theatre companies to discover the next generation of Asian Australian directors.
Michelle Law’s incisive debut play will have you in stitches then tears.