Audible Edge is “an experimental music bender” in Boorloo/Perth. Its co-curators Annika Moses and Josten Myburgh give us the festival low-down.

Simon Rogers, Artistic Identity Director of the Tasmanian Symphony Orchestra, talks about upcoming concerts centring non-traditional music.

Claire Kilgariff, Artistic Director of Darwin’s Arafura Music Collective, on collaborating with Ensemble Offspring and commissioning a new work.

In a chat with Maddy Briggs, the Dots+Loops co-directors reflect on an incredible decade of post-genre music and art presentation.

Composer and Artistic Director Evan J Lawson chats with Maddy Briggs about Forest Collective’s upcoming, multidisciplinary concert series.

Sex, demigods and a three-headed beast, Gilgamesh has it all. Composer Jack Symonds talks about his new opera based on the Mesopotamian epic.

Marshall McGuire, Chair of the Australian Music Centre, discusses the importance of Australia’s Art Music Awards with Maddy Briggs.

Marshall McGuire, Director of Programming at Melbourne Recital Centre, talks about its daring new music series.

Liza Lim unveils three world premieres in Australia in the coming months. She unpacks them and explains why she sees artists as “antennae”.

Brooklyn-based composer William Brittelle talks to Maddy Briggs about his latest, genre-blind mini-album in which he stares down the apocalypse.

Elizabeth Jigalin and Oliver John Cameron discuss their new site-specific work Sonant Traces, which has its world premiere at Sydney’s White Bay Power Station this month.

The second outing of Brisbane Powerhouse’s ΩHM Festival of Other Music marks Queensland as an international player in left-field, contemporary arts.