Bach’s majesty sprinkled with some Mendelssohn magic - this historic Passion had it all.

Joy and wonder among the fun and laughter in Opera Australia's fairytale 2025 season opener.

Opera Australia begins the year with an English-language version of Massenet’s Cendrillon. We talk to its creatives this sumptuous, family-friendly staging.

After navigating turbulence in recent weeks, Opera Australia charts a course to "engage and delight" in 2025.

Sex, demigods and a three-headed beast, Gilgamesh has it all. Composer Jack Symonds talks about his new opera based on the Mesopotamian epic.

French director Laurent Pelly’s hit production of the Massenet favourite to open Opera Australia's 2025 campaign.

Featuring innovative staging and superlative performances, Sydney Chamber Opera’s triple bill is a portrayal of humans on the brink.

Despite exquisite vocal and musical performances, this staging of Benjamin Britten's Canticles is less than the sum of its otherwise beautiful parts, landing somewhere between performance art and oratorio.

The coveted $25,000 grant has been awarded to the Australian mezzo-soprano through Melba Opera Trust by Dame Heather Begg’s estate.

This program of artsong concerts, performed by four solo singers for Sydney Chamber Opera, will illustrate where the modern song has found itself in the 21st century.

Meet the new classical superstars.

Strong music making, including a compelling performance by Vivica Genaux, is hampered by hands-off direction.