Review: How to Plot a Hit in Two Days (Ensemble Theatre)
Killing off a beloved fictional character is not as easy as it seems in this delightful, nostalgia-fuelled dramedy by Melanie Tait.
Killing off a beloved fictional character is not as easy as it seems in this delightful, nostalgia-fuelled dramedy by Melanie Tait.
Hollywood royalty, new Australian plays (including one by David Williamson) and the return of the Middling Cove Players. Dive in!
In a room tuned to chamber-sized work, David Williamson's Emerald City comes across as shouty and unsubtle.
Over a career spanning six decades, Henri Szeps became one of Australia’s most familiar and versatile performers on stage and screen.
Unlike Madame Curie’s X-rays, Lauren Gunderson's two-handed drama doesn’t penetrate quite deep enough.
Retaining the same cast since its 2010 premiere, the passing years have been kind to David Williamson's last-chance-for-love rom com.
Humour to the fore in this pairing of early Harold Pinter works, but the playwright's coded critiques of power don't show through.
An intense and subtly surreal staging of the semi-autobiographical Tennessee Williams classic.
Fresh, funny and familiar, David Williamson's new family comedy hits all the right notes.
What do our theatre companies have on offer in the year ahead?
Over $1 million to be split between 14 performing arts organisations to support regional touring.
Meticulous design a rock-solid foundation for an intimate story of small town friendships, rivalries and tragedy.
Opera Queensland, Ensemble Theatre and Australian Dance Theatre among the companies to take works to regional and remote centres.