Review: Bette & Joan (Ensemble Theatre)
Bette & Joan doesn't pierce the surface of its Hollywood star subjects but this production does polish it to a high sheen.
Bette & Joan doesn't pierce the surface of its Hollywood star subjects but this production does polish it to a high sheen.
Equally at home on stage and screen, Bayly built a reputation for intelligence, warmth and formidable presence.
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Honouring the mechanics of a well-worn classic, this Dial M slyly reveals how much was lurking in its margins.
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Australian theatre companies were early and enthusiastic adopters of Stoppard’s work, some of the most celebrated plays of the modern repertoire.
Jules Billington and Jessica Fallico next in line for the Ensemble Theatre's career-development program.
Killing off a beloved fictional character is not as easy as it seems in this delightful, nostalgia-fuelled dramedy by Melanie Tait.
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In a room tuned to chamber-sized work, David Williamson's Emerald City comes across as shouty and unsubtle.
Over a career spanning six decades, Henri Szeps became one of Australia’s most familiar and versatile performers on stage and screen.
Unlike Madame Curie’s X-rays, Lauren Gunderson's two-handed drama doesn’t penetrate quite deep enough.
Retaining the same cast since its 2010 premiere, the passing years have been kind to David Williamson's last-chance-for-love rom com.