Guy Noble’s Soapbox: On the Spot
As a jazz-loving carpenter installs his new kitchen, Guy Noble wonders if classical musicians are too obsessed with the written note.
As a jazz-loving carpenter installs his new kitchen, Guy Noble wonders if classical musicians are too obsessed with the written note.
Log in to read the flipbook version of Limelight's December 2025 magazine.
As the world becomes ever noisier, Guy Noble admits he’d like a bit of peace and quiet in the kitchen and department stores – particularly at Christmas.
Limelight closes out the year in grand style, with stories of creativity and resilience lighting up our December issue.
Limelight closes out the year in grand style, with stories of creativity and resilience lighting up our December issue.
Log in to read the flipbook version of Limelight's November 2025 magazine.
Conducting a combined schools orchestra and choir, Guy Noble can’t help but admire those patiently raising the next generation of musicians.
From the conductor’s podium to opera’s power plays, November’s Limelight captures the people shaping Australia’s musical, operatic and theatrical future.
From the conductor’s podium to opera’s power plays, November’s Limelight captures the people shaping Australia’s musical, operatic and theatrical future.
After a recent European tour, Guy Noble ponders the delicate balance of accepting applause and the awkwardness of excessive curtain calls.
Log in to read the flipbook version of Limelight's September 2025 magazine.
Big issues, huge voices, major talents ... September's Limelight casts a wide net over the Australian music and performing arts scene and hauls in a bumper catch.
On a recent European holiday, Guy Noble lost the top of a finger. He raises a hand to the good-humoured staff at Britain’s NHS, who repaired his damaged digit.