Review: Glass Games (Canberra International Music Festival)
Susanna Borsch's white-hot performance was made for the Glassworks Hot Shop.
May 3, 2018
Susanna Borsch's white-hot performance was made for the Glassworks Hot Shop.
Ross Edwards’ emerald sparkles between Schubert and Shostakovich in a high-energy outing from the Australia Piano Quartet.
To expand an earlier piano quartet, the composer wrangled the sounds of summer, a 9th-century hymn and a parrot's shriek.
A smart, challenging programme highlighting Shostakovich's personal upheavals.
The Australia Piano Quartet are thriving against the odds. APQ cellist Thomas Rann shares the secret of their success.
Chamber music past and present as noteworthy for its historical breadth as its polished performance. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in