Review: The Magic Flute (Opera Australia)
Peace, love, togetherness. Director Kate Gaul's new Magic Flute got there in the end – but it was a close-run thing.
Peace, love, togetherness. Director Kate Gaul's new Magic Flute got there in the end – but it was a close-run thing.
Ben Mingay was once a construction worker in Newcastle. Now, he’s about to make his Opera Australia debut.
The first part of Opera Australia’s 2024 season has launched and Guest Artistic Director Lindy Hume's program is no business-as-usual proposition.
CAMP is a window on to a world many of its younger audience would find hard to recognise let alone accept.
Making its debut during WorldPride 2023, CAMP bends time, fact and fiction into a celebration of the activists behind the push for gay rights in the 1970s.
Opera Australia has earned its stripes as one of the world’s leading presenters of Italian opera – a legacy outgoing Artistic Director Lyndon Terracini can fully take pride in.
Kate Gaul's gloriously camp, cross-gender production makes the G & S operetta feel fabulously fresh.
A zany, satirical take on the Victorian gothic romance, with overt nods to the Brontë sisters.
Monty Python irreverence, a "kinky" Gilbert and Sullivan, and a new Australian musical are part of the bill.