On the Record: March 2025
This month features Spanish Baroque opera, castanets and all, pitch-perfect Mahler from Simon Rattle, and the winner of a notorious song contest (hint: it isn’t Eurovision).
This month features Spanish Baroque opera, castanets and all, pitch-perfect Mahler from Simon Rattle, and the winner of a notorious song contest (hint: it isn’t Eurovision).
Thibaudet’s charm-filled Khachaturian is authoritative and decorative in equal parts.
Víkingur Ólafsson earns his first Grammy, with Caroline Shaw, Gabriela Ortiz, Gustavo Dudamel and the LA Phil also amongst the winners.
The great American composer discusses his gold rush opera and why he feels for others these days.
John Adams conducts his Gold Rush opera, Janine Jansen thrills with Prokofiev and Sibelius, there are chamber music rarities and a new Gerontius on the block.
Adams’ problem opera at last gets the reading it deserves.
Bartók is the starter this month with Mahler, Rachmaninov, Bruckner and Respighi the substantial main course. Offenbach provides the perfect soufflé to finish.
Yuja Wang blazes and dazzles, while maintaining amazing finesse.
Gustavo Dudamel leaves the LA Philharmonic after 17 years for a New York role once held by Mahler and Bernstein.
This month features orchestral music by Dvořák, Weill and Vaughan Williams, plus a Hollywood epic and intriguing recitals from Igor Levit and Víkingur Ólafsson.
Dudamel and the LA Phil conquer the New World and two others as well.
Andrew Bain now owns over 20 horns, two of which he will bring with him when he returns home to play with the Adelaide Symphony Orchestra and the Australian World Orchestra.
Fireworks aplenty in Dudamel's HD LA Phil Mahler cracker.