CD and Other Review

Review: BEETHOVEN: Diabelli Variations (piano: Paul Lewis)

In 1819 the publisher Anton Diabelli asked several composers each to write a single variation on a fairly nondescript waltz of his own. Beethoven set the task aside for four years – possibly the collegiate nature of the commission held little appeal – but eventually returned to Diabelli’s theme, proceeding to de- and re-construct every aspect of it in a monumental set of 33 variations. A major work, it postdates the piano sonatas and was composed at the same time as the Choral Symphony. This is late Beethoven, the deaf and obsessive composer who pushed the envelope and for whom an executant’s stamina was no longer a consideration. The variations display a double dose of virtuosity. For one thing, they stretch the pianist technically: the rapid Variations 17, 25 and 28 are as dazzling and difficult… Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

July 28, 2011
CD and Other Review

Review: MOZART: String Quartets K157, K458, K589 (Jerusalem Quartet)

These are invigorating accounts of three Mozart string quartets that neatly encapsulate the history of his writing for this musical medium. Mozart’s string quartets fall into three major brackets of works spread over 17 or 18 years, each represented here. The first quartet K157 in C major dates from 1772, when Mozart was just 17 years old. The quartet form was undergoing rapid development at this stage and Mozart, fresh from his musical explorations across Europe, was brimming with ideas. His youthful zest is already tempered by deep reflection, as shown in the astonishing depth of the Allegro which makes up the first movement. His prodigious development as a musician is reflected in the clutch of works known as the “Haydn” quartets. Here is Mozart in 1784, not quite 30 but already in his full maturity as a composer. The performance here of the Hunt quartet (K458) shows why this bracket of quartets is regarded as the finest he ever wrote. Mozart evidently thought he had pretty well exhausted his explorations of the genre, for although he was later commissioned… Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

June 7, 2011
news

Andreas Scholl comes home

Countertenor Andreas Scholl has discovered that returning to his roots has enriched not only his personal life, but his artistic endeavours too. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

March 8, 2011