New Goldberg Variations film with Erin Helyard launches an expanded and free-to-access Pinchgut at Home platform.

A season to celebrate the company's heritage also "dares to imagine the future" of opera in Australia, says SOSA's Artistic Director Dane Lam.

A debut orchestral concert, a new staging of Pinchgut's first-ever production and an Australian premiere.

Creating Opera Australia's 2026 season without an artistic director has been a galvanising challenge, "a real team effort".

Andrew Bovell distills a century of political violence and secrecy into the story of a Madrid family struggling with its demons.

With lashings of on-stage chemistry, this all-conquering Neil Armfield production of Handel's Julius Caesar is a triumph.

Steve Dow talks to academics, historians and stage directors about Julius Caesar and his ongoing resonance within the arts.

Simon Stone directs Kaija Saariaho’s last opera, Australian Dance Theatre celebrates 60 years, and Pina Bausch’s Tanztheater Wuppertal returns.

Ray Lawler revolutionised the Australian theatre with Summer of the Seventeenth Doll, but his influence extended far beyond his own writing.

Watershed, though not strictly an opera, is everything contemporary opera should be and so rarely is.

Neil Armfield's powerful production persuasively backs the argument that Arthur Miller's drama is true tragedy.

Christos Tsiolkas explains why he felt compelled to put his fear aside to co-write the libretto for Watershed: The Death of Dr Duncan.