In August, Opera Australia announced three key appointments, with one to follow. Peter Tregear discusses the restructure.

Opera Australia’s new Music Director, Andrea Battistoni, tells us why he was keen to take on the role and discusses the challenges ahead.

From the conductor’s podium to opera’s power plays, November’s Limelight captures the people shaping Australia’s musical, operatic and theatrical future.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

From the conductor’s podium to opera’s power plays, November’s Limelight captures the people shaping Australia’s musical, operatic and theatrical future.

The OA Orchestra and Concertmaster rise from the pit in blazing form, the Chorus once again affirming its place among the world’s best.

A round-up of our recent news reports.

Small companies are “vital” to Australia’s arts ecology, given “so much opera is being dictated by finances” higher up the chain, says soprano Celeste Lazarenko.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

A fine cast of Puccini interpreters animate this nostalgic farewell to Gale Edwards’ Weimar-era production.

Jack Symonds takes home twin trophies with Anne Cawrse, Chloe Kim and Cathy Milliken also amongst this year's awardees.

OA announces three key leadership appointments. Company "now on a sustainable footing," says outgoing Board Chair Rod Sims.