State Opera South Australia’s Artistic Director Dane Lam and director Rodula Gaitanou talk about their new production of Gounod’s Roméo et Juliette.

Welcoming ideas as well as finalised scripts, the revamped Award aims to amplify unheard voices, encourage inclusivity and give rise to works that speak to a diverse audience.

Mixing improvisation and silliness, Reuben Lewis and Emily Bennett bring seat-of-the-pants fun to schools via Musica Viva Australia's education program.

Ahead of a major showcase of the work of the University of Melbourne’s Faculty of Fine Arts and Music in disability arts, we hear about a unique program that allows everyone to play music.

The University of Melbourne's Wind Symphony tour is more than just a talent flex, it's a chance to be part of a major world premiere.

State Opera South Australia’s Artistic Director Dane Lam tells us why audiences should expect a thrilling joyride when The Magic Flute arrives in Adelaide.

Stephanie Eslake explains how Tasmania’s secluded, idyllic location has inspired a creative movement, making the remote island state an ideal place for music and arts lovers to visit.

The China National Symphony Orchestra Chorus brings its revered Yellow River Cantata to Australian. In return, says conductor Guy Noble, they get to sing Waltzing Matilda.

As Southern Cross Soloists turns 30, Limelight speaks to SXS's Ashley Smith about 30 years of the little company that could – and did.

Violinist Skye McIntosh unpacks Australian Haydn Ensemble's latest offering, one promising "catharsis and connection".

Ahead of his return to the SSO, the celebrated conductor explains what makes Stravinsky’s masterpiece so compelling a century after its infamous premiere.

The Sydney Symphony Orchestra and Australian String Quartet join forces for one special concert.