Review: The Barber of Seville (Opera Australia)
The comic jewel in Opera Australia’s crown is back, reinvigorated by a brilliant cast and a reading of Rossini’s score under conductor Daniel Smith that’s up there with the best.
The comic jewel in Opera Australia’s crown is back, reinvigorated by a brilliant cast and a reading of Rossini’s score under conductor Daniel Smith that’s up there with the best.
The Sydney Symphony’s Chief Conductor gives a preview of the start of the Orchestra’s season, with two landmark events and one shining jewel.
Cameron Lam begins 2024 with a mediation on the lost and the found in local Classical, Jazz and Sound Art for this month's playlist.
The time seems to have come for this 1983 pastoral Gothic chamber opera by Ross Edwards and Dorothy Hewitt.
In an exclusive interview with Limelight, Anna Netrebko speaks about life, art and the things she won't do anymore.
The Sydney Symphony Orchestra chief advocates a “selfish” approach delivering a revealing Stuart Challender talk. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in