Review: The Class of ’85 (Bach Akademie Australia)
Music from great composers born in the same year makes for a zesty survey of the German, French and Italian Baroque styles.
Music from great composers born in the same year makes for a zesty survey of the German, French and Italian Baroque styles.
A nativity-themed program of sublime singing, complex harmonies and exemplary musicianship.
It is fashionable to marginalise European composers of the past, but Bach’s music still electrifies and BAA is doing invaluable work keeping his brilliance alive.
J.S. Bach's work as a teacher and mentor is spot lit in Bach Akademie Australia's season opening concert for 2024.
Madeleine Easton’s Akademie band gives this Bach mini-festival an intimate and fitting lift-off.
Bach Akademie Australia celebrates the tercentenary of the composer's appointment to his longest and most successful job.
For the ensemble's 40th anniversary, its new co-Directors offer four bold programs - and a monumental Australian centrepiece.
The Song Company pays homage to the enduring brilliance of the English composer William Byrd, 400 years after his death.
The lecture-recital format may divide opinion, but Bach Akademie's music lifted hearts and souls heavenwards.
A satisfying selection of musical fairy tales and nursery rhymes in a program that didn't quite cohere.
Bach Akademie Australia's Easter presentation sets a new measure of excellence for baroque vocal performance.
From sacred music to intimate promises, three touring programs explore the astonishing breadth and diversity of vocal music, across Australia and around the world.
Madeleine Easton’s recreation of Monteverdi’s thanksgiving for the end of the plague hits home with Sydney audiences.