A restlessly inventive improviser and committed educator, Judy Bailey's influence over generations of jazz players is incalculable.

80 years after the destruction of Hiroshima and Nagasaki, Allan Marett’s Noh play inspired by the "father of the atomic bomb" is being performed in Japan.

The popular MSO baton to become the Con's inaugural Professor of Conducting.

Parrwang Lifts the Sky is a timely reminder of the importance of connection: to country, to one another, and to truth.

We all have healing to do, says Indigenous composer and songwriter Nancy Bates — and music gives us the means and the method.

Why can't Australians get enough of Bach? We trace his appeal Down Under with musicians and musicologists.

Rising Sydney soprano Eden Shifroni heads to London for two years of financially supported study at the Royal College of Music Opera Studio.

Even dancers find it hard to describe contemporary dance to people outside of it, says composer Fiona Hill. So how do you write music for it?

Not so casual: Former ACO Emerging Artist Tim Yu joins ACO ranks full-time after a stint playing as part-timer.

The future direction of Opera Australia; the art story that hit headlines worldwide; batons passed and classics reimagined.

After an emotional farewell tour, Goldner String Quartet ends where it began. "We have definitely made the most of our time together", says violist Irina Morozova.

Director Lindy Hume talks to Limelight about making four operas simultaneously and challenging what the art form can be.