Even dancers find it hard to describe contemporary dance to people outside of it, says composer Fiona Hill. So how do you write music for it?

Not so casual: Former ACO Emerging Artist Tim Yu joins ACO ranks full-time after a stint playing as part-timer.

The future direction of Opera Australia; the art story that hit headlines worldwide; batons passed and classics reimagined.

After an emotional farewell tour, Goldner String Quartet ends where it began. "We have definitely made the most of our time together", says violist Irina Morozova.

Director Lindy Hume talks to Limelight about making four operas simultaneously and challenging what the art form can be.

From a song cycle about passing time to a kid's country album, Sydney Conservatorium students talk about their projects for New Creatives.

Log in to read the PDF version of Limelight's October 2024 magazine.

A new collaboration between the Sydney Conservatorium and NIDA features the premiere of four operas written by Master’s students.

Elena Kats-Chernin and her new movie score; the origins story of Peter Pan, and a farewell to the show that's skewered Aussie politics for 25 years. October is a big issue.

Elena Kats-Chernin and her new movie score; the origins story of Peter Pan, and a farewell to the show that's skewered Aussie politics for 25 years. October is a big issue.

The SCO returns with a triumphant showcase of fresh interpretation and the interplay between conductor and concertmaster.

After a week-long winter intensive program at the Sydney Conservatorium of Music, Deborah Cheetham Fraillon announces a new First Nations opera will premiere in 2025.