Tamara-Anna Cislowska tells us about a concert at Sydney Festival that will see six pianists play six grand pianos in the Sydney Town Hall.

As the choir celebrates its centenary, Ria Andriani takes a look at its origins and a new work that Elena Kats-Chernin and Tamara-Anna Cislowska have created for the occasion.

From cows to elephants, there are many stories of animals responding to music. So what are the preferences of the animal companions of Australia’s music professionals?

Greta Bradman, Ray Chen, Sally Whitwell, Slava Grigoryan and Tamara-Anna Cislowska have all received nominations in this year's awards.

To music by Schubert and Stravinsky, Circa gives us a thrillingly athletic portrait of civilisation's destruction and rebirth.

The Australian circus company's new work for the Brisbane Festival pairs Stravinsky and Schubert.

A feast of Russian music, conducted by Sarah-Grace Williams, attracts a full house.

The Metropolitan Orchestra's Chief tells us about Shostakovich's uncharacteristically cheerful Second Piano Concerto ahead of TMO's all-Russian concert.

The Australian pianist gave her first public performance at the age of three, with the photos to prove it. Here she talks about giving the world premiere of Elena Kats-Chernin’s Third Piano Concerto.

The August 2018 issue of Limelight Magazine features the thrilling ride to international Wagnerian glory of Australian Heldentenor Stuart Skelton.

Stuart Skelton, STC's The Harp in the South, Carl Vine, Dame Joan Hammond, and orchestras on the fringe who are thriving.

David Berthold has divided this year's program into three acts, with highlights including Peter Grimes, Memorial and QSO's Symphony For Me.