The hilarious new video game Trombone Champ will have you sliding from Mozart to merengue.

A composer of film and game music, Penkin talks to Limelight ahead of his appearance at the 2021 High Score conference, celebrating composition and sound art for gaming.

The Royal Shakespeare Company’s new digital reimagining of A Midsummer Night’s Dream harnesses video game technology and an interactive score conducted by Esa-Pekka Salonen.

The special summer holiday edition includes major features written by Ian Whitney, Deborah Jones, Jansson J. Antmann and Steve Dow and more.

The video game industry now dwarfs both the film and video streaming industries, bringing music to millions around the world. Angus McPherson speaks to the composers and conductors who are making their mark on the genre.

Ahead of his appearance at High Score 2020, the award-winning composer tells us about embracing his gaming roots in Mortal Kombat 11, where he thinks video game music is headed, and the challenges of playing in John Williams’ sandbox.

Familiar themes given new life in Final Fantasy chamber performance.

The Adelaide-based video game composer tells us about how he created the atmospheric music for the award-winning indie game Hollow Knight.

The video game composer was responsible for producing the first ever video game score recorded by an Australian orchestra.

Relentlessly obsessive and fragmented, Nicole Lizée's works tease apart familiar scenes and sounds.