The pianist and composer returns to promote his newly released seven-album series, Seven Days Walking.

In Brett Weymark and Sydney Philharmonia Choirs, Dvořák’s rarely performed Requiem has found convincing advocates.

The beloved broadcaster tells us about her favourite Requiems, and why Berlioz didn't make the cut, ahead of her new series on ABC Classic.

The New Zealand tenor has taken out the major prize at the IFAC Handa Australian Singing Competition.

The SSO strings take the spotlight as Vladimir Ashkenazy returns for a concert of English classics.

Guitarist Sako Dermenjian and violinist Anna Da Silva Chen tell us about the pleasures of Piazzolla and how they're challenging the idea that the composer is ‘not serious enough’.

Artistic Director Sadaharu Muramatsu tells us how the community orchestra will mark the occasion with a tribute concert to its inaugural conductor, Richard Gill.

As online streaming becomes the dominant way people listen to music, Limelight investigates how these changes are affecting the classical music industry.

New songs by Brenda Gifford, a performance piece inspired by the life of experimental pianist Margaret Leng Tan and six new Australian operas are among the projects funded.

Opera Australia brings Strindberg's strange, purgatorial world to the Scenery Workshop.

Claire Edwardes, Elaine Chia and Katie Noonan are among the finalists in this year's Awards, which seek to highlight on the accomplishments of women across the Australian music industry.

The collective power of fangirls is huge, director Paige Rattray tells us ahead of the new musical coming to Queensland Theatre and Belvoir.