Limelight Magazine under threat of closure
Award winning publication, and Australia’s only classical music magazine, faces an uncertain future.
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
Award winning publication, and Australia’s only classical music magazine, faces an uncertain future.
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As well as being one of the greatest composers of the 20th century, Benjamin Britten was also a distinguished conductor, accompanist and chamber musician. Collected here for the first time, in this captivating 26 CD box, are the fruits of his most important labours in these fields. Britten’s singular talent was for getting inside the mind of his fellow composers, whether it be Mozart, Schubert or Elgar, and generating something entirely original. It’s not always what they might have wanted (he takes untold liberties with The Dream of Gerontius), but he seldom fails to excite, often with a heart-stopping moment of enormous originality. Highlights include a revolutionary reading of Schumann’s Scenes from Goethe’s Faust – a masterpiece scarcely touched until this 1972 recording, his landmark Schubert and Schumann recitals accompanying Peter Pears and that radical Elgar, pushing the envelope farther than even Barbirolli was prepared to go. If his Bach is less well recorded and a million miles from the period instrument school of thought, his Brandenburgs are still one of the best pre-1970 versions. Other classics include Mozart piano concertos with Clifford Curzon as soloist, his visionary Mozart and Schubert for two pianos where he’s joined by Sviatoslav Richter and Schubert’s Arpeggione with Rostropovich. All in all, a must have.
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The John Travolta of the clarinet trips the light fantastic through music old and new.
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Australia's most respected director on what music means to him and how he learned to love Wagner’s epic.
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