Review: Messa da Requiem (Queensland Ballet, QSO, Brisbane Chorale & Canticum Chamber Choir)
Verdi’s emotional journey elaborated with stunning displays of dramatic spectacle, mass choreography and fine voices.
Gillian Wills has written for Limelight, Griffith Review, Australian Book Review, The Australian, Courier Mail, ArtsHub, The Strad (UK), CutCommon and Artist Profile. Her memoir Elvis and Me (Finch Publishing) was released in Australia, New Zealand, Canada and the UK in 2016.
Her debut novel, Big Music was released on 18 September.
Verdi’s emotional journey elaborated with stunning displays of dramatic spectacle, mass choreography and fine voices.
An adventurous program of contrasts, balancing polished gravitas with volatile contemporary energy.
QSO wears its heart on its sleeve in a concert featuring a Valentine's Day gift made to last.
A luminous, technically fearless recital revealing the impressionistic depths of Szymanowski and Beach.
Alex Raineri’s program of contemporary piano works blends virtuosity and fearlessness at Brisbane Music Festival 2025.
The multifaceted musician traces his career in an honest, engaging narrative.
Benjamin Appl shines in a program calculated to please lovers of Schumann, French Impressionism and Art Song.
Liszt vs Brahms! Reich vs Glass! AFCM brings together a selection of works by composers who disliked each other intensely.
Who better than Michael Collins to light up music commissioned from Bela Bartók by America's jazz clarinet great?
A smart program gives Stefan Dohr the space to showcase his glorious tone, sublime phrasing and insightful interpretative vision.
The versatile and powerful accordion wasn't invented during JS Bach's lifetime, but chances are he would have used it if it had been.
No Queen but this airing of Czech chamber specials reaches sublime heights.
Like any good casting director, AFCM's Jack Liebeck knows how to curate an impressive opening-night lineup.