Australian soprano wins Guildhall Gold Medal
Samantha Clarke, a student of Yvonne Kenny's, has received the school's most esteemed award for soloists.
Samantha Clarke, a student of Yvonne Kenny's, has received the school's most esteemed award for soloists.
Rossini’s rarely-performed opera was written for the coronation of a king, with all the excess that entails. Director Damiano Michieletto explains how he got to grips with an opera that’s more showpiece than drama, and why he had to set it in an art gallery.
Each episode of Classics Unlocked, produced by Universal Music Australia, will explore a period of music or body of work.
Camarena smuggles rarities into his disc of bel canto blockbusters.
The 90-year-old composer used a megaphone to air his long-held grievances about Opera Australia as the houselights went down.
The scholarship provides the Opera Australia Principal Artist the invaluable opportunity to travel overseas and further develop her international profile.
A warm and enveloping piece of theatre.
After his disqualification from the Lang Lang International Piano Competition in Shenzhen, Lee gives Limelight his version of events in response to an account issued by the jury.
First-time finalist Tessa MacKay’s winning portrait of the actor heralds the beginning of Archibald season, with several notable arts world figures amongst the subjects.
Pianist Jeremy Chan and American tenor Michael St Peter are one of 27 shortlisted singer-pianist duos in this year's competition.
The conductor speaks to Limelight about an upcoming Canberra Symphony gala in memory of Richard Gill.
His score for the critically divisive Beetlejuice has seen him touted for Best Original Score.
The company’s starry production of Artaserse has been named best Rediscovered Work.