The bass was a student of Rosa Ponselle and a vocal coach for Opera Australia.

The Artistic Director, whose tenure has been distinguished by record ticket sales and a growing subscriber base, will step down in November.

Her winning artwork challenges the traditional distinctions between photography and drawing.

The Australian Chamber Orchestra is out in front with two nominations, while the Grigoryan Brothers are recognised once again.

The acclaimed production will be seen in Europe for the first time this August.

The Ian Potter Southbank Centre is at the heart of the University of Melbourne’s $200 million Southbank campus redevelopment.

Returning to Sydney to take on a more dedicated role as AD of Pinchgut Opera, Helyard talks the company’s first concert of the season, his wish-list operas, and what he’s been up to in the recording studio.

The newly announced winners of the Victorian Design Challenge have come up with ingenious ways to reduce waste.

The irrepressible mezzo tells us about her latest album, Antonio Vivaldi, Limelight's Recording of the Month in March.

Bartoli’s back with a new tribute to the Red Priest.

A quiet working environment seems to be best when it comes to creative problem solving.

Music illuminates how migration shapes the human experience.