Review: The Dance of Death (Belvoir St Theatre)
An insistence on the big effect comes at the expense of effective theatre.
An insistence on the big effect comes at the expense of effective theatre.
An imperfect realisation of Wagner’s comedy, but the music making more than compensates.
It celebrates its 40th year with six inventive programs next year.
She assumes the role in January 2019, succeeding Dolla Merrillees.
Short takes a walk on the dark side for his debut recital disc.
Chinese star has her moments, just a shame about the band.
It will be the first time Jacobs has worked for the company, and the first time that Bell has staged Titus.
Shane Lowrencev has withdrawn from Meistersinger, leaving the company to find its third Hans a week out from opening.
Barton proves her worth in moody song fest debut.
Double bass player Alanna Jones and cellist Daniel Pini share their experiences of playing, teaching and exploring in China.
Melbourne artist Lynn Savery has won the Doug Moran National Portrait Prize for her self-portrait exploring gender norms.
The soprano, who dropped the double bass for singing lessons as a teenager, talks about Puccini’s heroines, her multifaceted career, and her upcoming star turn as a mermaid.
Zahra Newman commands in this keen dissection of grief.