Ivo Van Hove’s new production of Mussorgsky’s Boris Godounov is sure to be a hit for Paris Opera.

Returning to Sydney in a role for which he’s won much acclaim, the American tenor makes the case for why Edgardo might just be crazier than Donizetti’s Bride of Lammermoor.

First Peach Melba, now La Dolce Jessica, a deconstructed trifle honouring soprano Jessica Pratt is on the menu at Aria Restaurant.

She succeeds Ali McGregor, who has helmed the Festival for the last three years.

An interesting production not without its problems, balanced by some strong performances.

With a commission from Musica Viva under her belt and now bound for the Curtis Institute of Music, the young composer discusses her musical tenets, the influence of mentor Carl Vine, and The Wiggles.

A director, writer and actor, she has previously worked with Malthouse in her capacity as an actor.

Internationally renowned artist Brook Andrew seeks to upend dominant narratives in 2020.

She made her operatic debut at 28 as Lucia, so it takes a lot to faze this British-born, Australian soprano. Ahead of her Sydney debut, she tells us why doing the role feels like going home.

The maverick Russian conductor was a passionate champion of twentieth century music.

Muriel's Wedding, Black Rider: The Casting of the Magic Bullets, and Hamlet are among this year's big hitters.

Young singers specialising in bel canto can win the chance to travel to Italy for an intensive study period.