Pinchgut Opera’s 2019 set to be a stellar year
Erin Helyard gives us masterworks from Monteverdi and Vivaldi, as well as two recitals with an Australian premiere to whet the appetite.
Erin Helyard gives us masterworks from Monteverdi and Vivaldi, as well as two recitals with an Australian premiere to whet the appetite.
An intriguing Australian premiere with assured accounts of old favourites.
The soprano has withdrawn from the orchestra’s hotly anticipated presentation of Tristan, which was to have featured Stuart Skelton and Westbroek in the title roles.
He has been removed from his post following media allegations of sexual assault.
The CAAP Directors Initiative unites three state theatre companies to discover the next generation of Asian Australian directors.
H Lawrence Sumner’s latest play brims with life in this world premiere directed by Neil Armfield.
The unlikely pairing of Jonny Greenwood and Mozart have paid dividends at this year's independent music awards.
Shelagh Delaney's debut play remains just as vivid and perceptive as ever.
The Grant, valued at $75,000, sees an emerging singer receive a one-year employment contract at a German opera house.
An audience member jumped in mid-show when a production of La Bohème had to replace its ailing tenor.
Ahead of its Australian premiere, Bernard Labadie talks to Justine Nguyen about his string arrangement of Bach’s towering Goldberg Variations.
Growing up with Martha Argerich as a friend of the family, there was no way he wasn’t going to be a pianist. He talks to Justine Nguyen about his Queensland Symphony residence and his musical credo.
Many first-time finalists, emerging composers and past winners are in the mix this year.