Ahead of the release of his period-instrument Winterreise for ABC Classics, the Australian baritone talks about preparing this monumental song cycle with the help of some 19th-century singers.
Ahead of his appearance as Baron Ochs in Melbourne Opera’s Der Rosenkavalier, the Australian bass discusses why the role is his very favourite.
Erin Helyard gives us masterworks from Monteverdi and Vivaldi, as well as two recitals with an Australian premiere to whet the appetite.
An intriguing Australian premiere with assured accounts of old favourites.
The soprano has withdrawn from the orchestra’s hotly anticipated presentation of Tristan, which was to have featured Stuart Skelton and Westbroek in the title roles.
He has been removed from his post following media allegations of sexual assault.
The CAAP Directors Initiative unites three state theatre companies to discover the next generation of Asian Australian directors.
H Lawrence Sumner’s latest play brims with life in this world premiere directed by Neil Armfield.
The unlikely pairing of Jonny Greenwood and Mozart have paid dividends at this year's independent music awards.
Shelagh Delaney's debut play remains just as vivid and perceptive as ever.
The Grant, valued at $75,000, sees an emerging singer receive a one-year employment contract at a German opera house.
An audience member jumped in mid-show when a production of La Bohème had to replace its ailing tenor.
Ahead of its Australian premiere, Bernard Labadie talks to Justine Nguyen about his string arrangement of Bach’s towering Goldberg Variations.
