Stuart Skelton’s Florestan heads an eclectic 2017 Proms
Steve Davislim's Tito will also be among the highlights to catch the ears of Aussie audiences.
Steve Davislim's Tito will also be among the highlights to catch the ears of Aussie audiences.
Claire Huang took to the stage in New York after being placed second in an international piano and strings competition.
Gabriella Di Laccio’s debut recital disc is a frustrating one. The Brazilian coloratura soprano’s technique is solid, it’s an attractive voice, and she has a feel for the Italian language. That said, this recording of just six arias is neither musicologically adventurous nor deeply interpreted. A celebrated baroque specialist in her home country, she never disappoints technically, but the result is short of noteworthy. Her strongest performance is the album’s opener, Vivaldi’s barnstorming Armatae face, et anguibus. Di Laccio meets the demands of the aria with ease, Vagaus’ call to arms appropriately ferocious. The same can’t be said of the second track, the regularly programmed Agitata da due venti from the same composer. It’s a reading curiously devoid of emotion, Constanza’s inner turmoil only superficially telegraphed in puzzling emphases of text. While the B section picks up a bit, there simply isn’t much agitata in Di Laccio’s reading. Rounding out the album’s Vivaldi offering is the tempestuous Siam navi all’onde algenti, another showcase for her formidable technique – yet it suffers from the same lack of dramatic insight. This problem is particularly evident when we get to the set of Handel arias, some of the repertoire’s most musty gems. Lascia…
The soprano brings her Mimì to the London stage, while Aussies fill out the ranks of the Covent Garden season.
Gavin Webber, ATYP, and Kathy Burns recognised for their outstanding contributions to the Australian arts scene.
The dynamic duo have taken to the streets for a busking marathon to send them round the world.
The Aussie composer's How Forests think has been shortlisted in the Chamber-Scale Composition category.
Sydney portrait photographer Gary Grealy has taken top honours at this year's Portrait Prize.
Louis Moss has received a scholarship to play at Jesus College, becoming the youngest ever Oxford organist.
OperaQ promises a sensual night to remember in one night only offering Sensory.
Blush Opera among the young artists from Western Sydney to be given funding to undertake new projects.
Matthew Smith's dream of conducting Die Fledermaus is to come true with the Nottingham Symphony Orchestra.
The young Bell learns about perseverance and second chances in The Dance of the Violin.