This brilliantly conceived production of Scarlatti's 1707 oratorio is set in contemporary times, on a beach, with superb performances all round.

This year, the Schubertiade Schwarzenberg Hohenems celebrates its 50th anniversary.

A peek into the soundscape of 18th-century Germany through works by important composers and the rare instruments of the Orchestra of the Antipodes.

Anna Lapwood brings her brilliant skill and boundless effervescence to the Sydney Opera House Grand Organ.

Pocket-sized productions commenting remorselessly on the nature of relationships and material aspirations.

The fresh sounds, harmonies and improvisations Erin Helyard infuses into this production turn the old into something new and extraordinary.

Under director Sam Allchurch, Sydney Chamber Choir and guests illuminate a work of profound beauty and depth.

Online arts platforms blossomed during the COVID lockdowns. Six years later, what's the way forward for them?

Shamistha de Soysa discovers how trans performance artist Kit Spencer is lending a modern-day voice to the castrati of old.

Morgan Pearse chats about his forthcoming engagements, including playing Mercutio in Roméo et Juliette for State Opera South Australia.

The vocal prowess of Celeste Lazarenko and Morgan Pearse the icing on the cake in Pinchgut's staging of Pergolesi's riotous 'tiny' opera.

Delicacy, power, ephemerality and endurance combine in Jane Sheldon's live showcase of seven songs from her recent album.