British viola virtuoso Lawrence Power chats with Steve Dow about Isles of Light, the concert he has programmed, directs and performs in for the Australian Chamber Orchestra, and why he believes there’s such a strong viola tradition in the British Isles.

Hot on the heels of this month’s Remix Tour Live, Suzy Izzard is bringing her one-woman version of Shakespeare’s tragedy to Australia.

First Nations musician Eric Avery tells us why he has asked the Flinders Quartet to use stringybark as part of his new work.

Director Neil Armfield tells Steve Dow why his production of Cinderella for State Opera South Australia will have a 1970s twist.

Our team of expert writers explores the challenges, themes and highlights in the year ahead for arts companies.

What do our theatre companies have on offer in the year ahead?

As her play Lacrima comes to Australia, writer/director Caroline Guiela Nguyen talks about why she likes interweaving different narratives.

As she prepares to perform in her own adaptation of The Shiralee for Sydney Theatre Company, Kate Mulvany discusses her life and work.

Small companies are “vital” to Australia’s arts ecology, given “so much opera is being dictated by finances” higher up the chain, says soprano Celeste Lazarenko.

Alexander Berlage chats with Steve Dow about his current projects – the Australian premiere of a musical and the world premiere of a new Sydney Chamber Opera work.

As co-director and star, Pamela Rabe is well and truly up to her neck in Samuel Beckett’s absurd masterpiece Happy Days.

Why can't Australians get enough of Bach? We trace his appeal Down Under with musicians and musicologists.