CD and Other Review

Review: Haydn: Piano Concertos (Hamelin)

For ages Haydn’s piano concertos were overshadowed by those of Mozart. It is true that Mozart’s Concertos Nos 20-27 are
 so substantial as to make Haydn’s look like trifles. The three concertos on this disc, Nos 3, 4 and 11, are in fact the only ones of Haydn actually confirmed to have been written by him. They contain all the joie de vivre we associate with this composer at his sunniest, as well as (in the G Major) a sublime slow movement that clearly influenced several composers in years 
to come, not least Beethoven. Indeed, Beethoven’s two earliest piano concertos would not exist without Haydn’s in D Major: the best known of his three.
 The first thing one notices in this recording is the tight ensemble and single-minded attack of the Violons du Roy: 
a moderately-sized string orchestra based in Quebec. (The Concertos in F and G use only string accompaniment.) These musicians play modern instruments but are historically informed in matters of vibrato and bowing. Hamelin, also Canadian, is a super virtuoso; Haydn poses no technical challenge to him whatsoever. He brings strength and colour as well as insouciance to the music. At times this team may seem a……

August 8, 2013
CD and Other Review

Review: Verdi, Wolff, Piazzola: Various (Brodsky Quartet)

The legendary Brodsky Quartet – truly one of the great string quartets of our time – is currently headed to Sydney for a mid-winter feast of Shostakovich in the Sydney Opera House Utzon Room in July (performing the marathon feat of all 15 of the Russian master’s thrillingly enigmatic quartets). By way of complete contrast this
latest release from the Brits shows the group resolutely packing its buckets and spades and heading to the Mediterranean – with
a side trip to Argentina – as if intent upon their summer hols. The trip gets under way with
Hugo Wolff’s Italian Serenade, which with its racing rhythms and strong melodies is like a train trip through the Tuscan countryside. Puccini’s moving Crisantemi, on the
other hand, is an elegiac piece, written in a single sweep over the course of one night, having heard of the death of King Umberto I’s brother, the Duke of Aosta. The opera composer was so pleased with his rare venture into the mysterious realm of chamber music that he recycled it in the tragic fourth act of Manon Lescaut. Another great Italian opera composer, Giuseppe Verdi no less, also decided to have a crack at string quartet writing, believing that the…

August 8, 2013
features

Back to basics with Bach

Why Bach was top of the class with respectful nods to Brahms, Ives and Ligeti. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

August 6, 2013
features

Music to die for…literally

An extraordinary collaborative project in Melbourne attempts to recreate the music we hear when we die. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

August 5, 2013
news

John Amis has died

Raconteur, wit, music critic and stalwart of the BBC’s My Music program passes at the age of 91. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

August 2, 2013