Review: Organ Grandeur (Sydney Symphony Orchestra)
Joseph Nolan pulls out all the stops and is 'knighted' for his pains.
February 19, 2017
Stuart Skelton blasts programming choices at Opera Australia
The Heldentenor criticised OA for repetitive choices and employing “second rate” international singers. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 17, 2017
Review: Exit/Exist (Gregory Maqoma, PIAF)
Celebratory and harrowing, Maqoma demands to be seen and heard.
February 13, 2017
Perth Festival opens with an environmental spectacular
A walk through Boorna Waanginy’s sound and light show is a deeply felt celebration of cultures and a warning for the future. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 12, 2017
Review: The Gabriels (Public Theater, PIAF)
Unique chance to be a fly on the Gabriels' kitchen wall is not to be missed.
February 12, 2017
Review: The Dark Mirror (PIAF, WASO)
Bostridge takes us on a nightmare ride through Zender's refracted Schubert.
February 11, 2017
David Robertson on putting the ‘folk’ back into the ‘music’
The line between high falutin’ art and down and dirty folk has always been porous, says the SSO Chief. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 10, 2017
More evidence emerges of malpractice at Brisbane Baroque
Liquidator finds the directors withdrew large sums of money days before calling in the receivers. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 6, 2017
Review: East Meets West (Melbourne Symphony Orchestra)
Tan Dun's bird-themed jamboree kicks off The Year of the Rooster in style.
February 6, 2017
Review: La Traviata (Opera Australia)
Ermonela Jaho’s tragic heroine earns a well-deserved standing ovation.
February 4, 2017
When is playing a string quartet like trying food blindfold?
Flinders Quartet’s Zoe Knighton on finding the voices of the future and hypothetical conversations with dead composers. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 2, 2017
Review: Cabaret (David M Hawkins, Hayes Theatre)
Too much f**king and not enough fun pulls Kander and Ebb's political teeth.
February 1, 2017
Sony acquires its ‘third tenor’ in Roberto Alagna
The American label adds the French star to a stable that already includes Jonas Kaufmann and Juan Diego Flórez. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
January 30, 2017