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Musical theatre legend Geraldine Turner has written a candid autobiography that is shocking at times, but such a good read it’s hard to put down. She explains why she wrote the book and why she decided to be so forthright.

Steven Isserlis proves the ideal companion in a journey through Bach’s mighty cello suites.

Going over the top the Australian way.

Features include a tour around the SOH's revitalised Concert Hall, interviews with Maestro Zubin Mehta, and Sheku and Isata Kanneh-Mason, and a look at the state-of-play of Australian musicals.

This month's features include profiles of Australian choreographer Stephanie Lake and didge virtuoso William Barton, an interview with Mary Finsterer about her new opera Antarctica, Dr Anita Collins on why music makes us feel so good, and Peter Tregear on the winds of change at Opera Australia.

The pianist’s debut book takes Prokofiev as a guide to explore the bigger picture.

Log in to read the PDF version of Limelight's June 2022 magazine.

Walter’s up-to-date, illustrated translation comes with insightful analyses.

Concert pianist Simon Tedeschi has written his first book, Fugitive, “an undiluted portrait” of himself and the world he lives in, which he describes as a “prose poem”.

We explore portraits of pianist Simon Tedeschi, how opera singer Anna Dowsley is building a career on two continents, the life of Arrigo Boito and our fascination with The Devil, the incredible life of pianist Ruth Slenczynska, and plenty more.

Log in to read the PDF version of Limelight's May 2022 magazine.