Cameron Lam explores Australian music written for brass instruments, from tubas and trombones, to double bell trumpets and a 19-century ophicleide.

The finalists for this year's coveted prize are harpist Emily Granger and violists Henry Justo and Katie Yap.

The relaunched West Australian Piano Trio gave a triumphant recital, promising more good things to come.

A new Adelaide-based festival will provide mentoring and performance opportunities to budding composers.

The globe-trotting, game-changing violist talks about what has changed since COVID, playing chamber music with Joshua Bell, and how arts funding in Germany isn’t as idyllic as it seems…

Co-curators Anne Cawrse and Anna Goldsworthy have made an exceptional contribution to a paradigm shift in favour of Australian women composers.

Throughout the second half of the year, UKARIA will draw some of the finest Australian and international musicians to the Adelaide Hills.

After a one-year hiatus, the Gold Coast's flagship arts festival was launched last night with a specially commissioned world premiere.

Chance of a close encounter in Acacia Quartet’s new disc.

Tapping into the deeper sense of community that emerged during COVID, the Fidelio Quartet's Rachel Atkinson has programmed a chamber music festival with the support of a Camberwell church.

Chamber Music Adelaide and MOD. have announced the names of the composers who will write a new work in response to MOD.'s award-winning exhibition INVISIBILITY.

A fizzing, jazz-age sonata opens the door to Pat Kop’s wonderful world of George Antheil.