Am I in the Right Room?
That was the question on improvising violinist Xani Kolac's mind before she played her set at Berlin's Classical:NEXT.
That was the question on improvising violinist Xani Kolac's mind before she played her set at Berlin's Classical:NEXT.
The composer-violist will write a new work for The Australian Wind Quintet, to be premiered in 2025.
"Like you're running on your tiptoes." Sophie Rowell unpacks her program for Melbourne Chamber Orchestra's Blazing Trails.
A passionate serenade of guitar and strings featuring Karin Schaupp’s virtuosic veracity and a tender tribute to a life cut short.
Synergy bends the definition of a musical instrument with flowerpots, kids' toys and an Australian invention in an expertly-curated program.
A beguiling set of contradictions sketch the evolution of John Cage’s thinking about music, sound and indeterminacy.
Over two days and within three generously filled concerts, audiences were treated to fine performances of diverse music.
Billie Eilish and BTS among artists given a chamber spin by the LA-based Vitamin String Quartet.
Music in the Regions heads for Broken Hill to present William Barton and Véronique Serret’s Heartland.
Liza Lim unveils three world premieres in Australia in the coming months. She unpacks them and explains why she sees artists as “antennae”.
Iranian-Australian musician Gelareh Pour explains how she fell in love with the “deeply Iranian” string instrument, sometimes called the Persian spiked fiddle.
Classical pianist and author Simon Tedeschi reflects on the power of art, inspired by Ralf Yusuf Gawlick’s 2022 oratorio O Lungo Drom.
A sublime new recording of Handel’s Theodora, recitals from Véronique Gens, Roderick Williams and Michael Spyres, and a Russian blockbuster from Sir Antonio Pappano.