The international siren and comedienne extraordinaire reveals the music that runs through her veins, and the thrill she gets singing with a full orchestra.

Leading Australian pianist Stephanie McCallum explains why she fell for the pianos from the workshop of French instrument maker Sébastien Érard.

A horn player for the Seattle Symphony, Jenna Breen tells us about joining the Australian World Orchestra for the first time and becoming a pilot.

A round-up of our recent news reports.

An outstanding survey of Australian new music, but caution is needed when it comes to categorising compositions.

Backstage Music returns for a 2022-23 concert series, showcasing diverse talents across various genres and styles.

This year ABC Classic is looking to find Australia’s favourite music from almost a century of cinema, TV, and video games.

An entire recital of Chopin's Waltzes could be a daunting prospect, but Mark Coughlan's energetic performance carried the day despite occasional lapses in precision.

Composer Bruce Crossman and pianist Kane Chang discuss their piece Fragility and Sonorousness, which draws on the pair's diverse cultural heritage as well as their lived experiences in the Pacific region.

Percussionist Al Fane talks about '[sound is] A Body in Space', written with composer K. Travers Eira, which is centred on the human body and the physicality of percussion.

The Women's Club will again play host to emerging female musicians from the Sydney Conservatorium, showcasing Australian artists.

Composer Kate Tempany discusses her piece Honeyeater, written for trumpeter Nic Corkeron, which mourns the imminent loss of the critically endangered Regent Honeyeater bird.