Review: Kara Karayev (Bournemouth Symphony Orchestra, Kirill Karabits)
Kirill Karabits loves Kareyev to bits, but it isn’t always clear why.
Kirill Karabits loves Kareyev to bits, but it isn’t always clear why.
Faust’s back to basics fiddling needs no Reformation.
Another concert chock-full of Christmas cheer from the Brandenburgs.
Piano concertos rescued from obscurity shine in Shelley’s hands.
Baltic is definitely beautiful, but is it all-too-easy listening?
An outstanding Vaughan Williams from Emma McGrath and the TSO to bid farewell to the 2017 season.
Once upon a time, says Osmo Vänskä, there was a Symphony...
The German-born maestro is making a comeback thanks to the return of the LP.
A well-shaped programme with pieces that spoke to each other across the centuries.
Fantastic performances by Michelle DeYoung and John Relyea as the SSO storms Bluebeard's Castle.
New research suggests physical measures and sound screens do little to protect musicians’ hearing.
Magnificent Martinsson song cycle premieres in Australia before high-Romantic smasher – and everybody wins.
The cellist, whose recording is Limelight's Orchestral Recording of the Year, explains why he returned to the concertos after 27 years.