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Chamber, Classical Music
Live Review

Review: Timo-Veikko Valve and Aura Go: Beethoven Cello Sonatas (Utzon Room, Sydney Opera House)

Across two concerts, Valve and Go showed how much extraordinary life and colour there is in Beethoven's cello sonatas.

March 7, 2022
Chamber, Classical Music
CD and Other Review

Review: Mozart: Piano Sonatas arranged for Guitar Duo (Duo Morat-Fergo)

Duelling guitars reveal Mozart as he might have been played in the 19th century.

March 7, 2022
Classical Music, Orchestral
Live Review

Review: Paradisum (Australian Brandenburg Orchestra)

This memorable performance of Fauré's Requiem offered balm for the soul in these bleak times.

March 6, 2022
Classical Music, Orchestral
Live Review

Review: Become Ocean (West Australian Symphony Orchestra, Perth Festival)

The program gave the combined orchestras of WASO and WAYO a unique opportunity to describe the sea in contemporary styles, as well as Britten's established depiction.

March 6, 2022
Classical Music
Live Review

Review: Beethoven & Bartók (Melbourne Symphony Orchestra)

The MSO and its new Chief Conductor are still feeling each other out, but Jaime Martín's ebullient and dynamic presence can't be ignored.

March 5, 2022
Classical Music, Vocal & Choral
CD and Other Review

Review: Pastorales (HIP Company)

A debut release with an added pinch of Australian seasoning.

March 5, 2022
Classical Music, Opera
Live Review

Review: Watershed: The Death of Dr Duncan (Adelaide Festival)

The standing ovation and tears that greeted the world premiere of this oratorio about an infamous gay-hate crime are testimony for the need for such a work.

March 4, 2022
Chamber, Classical Music
Live Review

Review: Classical Vienna (Melbourne Chamber Orchestra)

Music-making of a high order in a concert featuring Haydn, Mozart, Vanhal and Stefan Cassomenos.

March 4, 2022
Classical Music, Orchestral
news

WASO announces 2022 Emerging Conductors

Emerging artists Alessandro Pittorino, Sara Duhig, Sarah Mills Menogue, Laurissa Brooke and Blake Houlahan will participate in the annual conductor development program.

March 4, 2022
Classical Music, Orchestral, Vocal & Choral
CD and Other Review

Review: Mahler: Symphony No 8 “Symphony of a Thousand” (London Philharmonic Orchestra & Choir, Vladimir Jurowski)

Jurowski’s live “Symphony of a Thousand” truly justifies the nickname.

March 4, 2022
Classical Music, Opera
CD and Other Review

Review: Britten: The Turn of the Screw (Rhian Lois, Robert Murray, Sinfonia of London, John Wilson)

The pandemic forces Britten’s ghostly masterpiece from stage to film with stunning results.

March 3, 2022
Classical Music
features

Music in the Regions begins its inaugural tour

Executive Director Janine Collins discusses the aims of the initiative and the inaugural tour by the Acacia Quartet opening tonight.

March 2, 2022
Chamber, Classical Music
CD and Other Review

Review: Gavin Higgins: Ekstasis (Piatti Quartet, Fidelio Trio, David Cohen, Thomas Gould, Sara Roberts)

Excellent introduction to chamber music by Gavin Higgins that packs a punch.

March 2, 2022

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