Review: Messiaen: La Transfiguration de Notre Seigneur Jesus-Christ, Poemes pour Mi, Chronochromie (Symphonieorchester des Bayrischen Rundfunks)
Compelling performances from Messiaen master, Kent Nagano.
Compelling performances from Messiaen master, Kent Nagano.
The announcement comes after former CEO Emma Dunch's surprise resignation on Friday, following weeks of conjecture about her position.
The MSO Chorus returns, bringing joy to the end of a diabolical year.
Gifted musician, Sako Dermenjian, is completing a Master's degree at the Sydney Conservatorium of Music with a Greta Davis Equity Scholarship.
Melbourne-based composer Alex Turley has won this year's prize, out of a bumper crop 26 entrants.
A Dane and Finn make perfect bedfellows in Kullberg’s insightful survey.
A major new choral work by Richard Mills, on the themes of the birth of Jesus and our contemporary troubles, is magnificently performed.
Trio Argenti (almost) concludes the 2021 BMF with an intriguing choice of repertoire.
William Hennessy chose the intimate setting of a string quartet recital to make his last musical statement as MCO’s Artistic Director – and a very fine concert it was too.
The ASO's impressive 2022 season is one of the country’s bolder efforts, with women composers and living composers well represented.
The annual festive fixture includes a world premiere, several carols and some delightful inclusions, but some distractions too.
A highly expressive account of an early operatic masterpiece.
After news broke recently that two reports had raised serious concerns about the leadership of the SSO, Emma Dunch has left the Orchestra, guns blazing.