Alex Gorbatov and Bailey Montgomery discuss the importance of LGBTQIA+ stories in classical music.

Digital Stage launches with a library of free, paid and on-demand performances, and with great aspirations for bringing the best of Queensland to audiences around the world.

Leah Curtis tells us about her new work The Ground, and the chance to collaborate closely with SXS Didgeridoo player Chris Williams during its creation.

Festival serving a community's growing enthusiasm for chamber music explores the art of communication with a varied program.

This concert demonstrated the fantastic collaborative creation possible between a great conductor and orchestra – one wonderfully complemented and enlivened by the spotlighting of four fabulous soloists at the height of their artistic prowess.

Australian premiere of Ernest Hutcheson's Piano Concerto was an uneven performance, but one hopes it will inspire a revival of the neglected composer's work.

History, continuity, thrilling music and the indomitable spirit of live music filled this concert as the orchestra moves to a new era.

Following a freak accident with a water sprinkler, the organ, built into the Concert Hall's southern wall, won't be repaired in time for the SSO concerts that reopen the hall in July.

The Australian Romantic & Classical Orchestra paired a great classic by Schubert with a lesser-known work by Eybler for a Viennese charm offensive.

Bangarra Artistic Director Stephen Page, rising theatre performer and storyteller Brittanie Shipway and acclaimed musician Emma Donovan were among this year’s honourees.

Chris Lloyd reports from classical music’s biggest conference, where the innovations discussed ranged from groundbreaking to embarrassingly old-fashioned.

At times during this stunning recital, Gillham played with such intimacy it felt as if the audience was eavesdropping on an artist playing for his own pleasure.