David Robertson on two composers’ common ground
The Sydney Symphony Orchestra's Chief Conductor tells us about recording the orchestra's new Westlake and Reich disc, Limelight's Recording of the Month in May.
The Sydney Symphony Orchestra's Chief Conductor tells us about recording the orchestra's new Westlake and Reich disc, Limelight's Recording of the Month in May.
High Spirits: Meditations on modernity showcase virtuosity and technical brilliance.
The Board of Directors has announced that the Company, which is renowned for performing chamber vocal repertoire, must regretfully cease operations.
An utterly compelling performance by Russian pianist Yulianna Avdeeva.
The Australian conductor tells us about growing up in a musical clan, founding the Australian World Orchestra, and reducing the work load to better enjoy performances and time with his young family.
Its innovative livestreaming program, which introduces primary school students to opera, returns this month.
Flautist Tim Munro tells us why John Luther Adams' immersive score is something to crow about.
A weekend of chamber music, gourmet delights and bonhomie for 140 lucky ticket holders.
A well-chosen program of music from film that celebrated the power of the human voice.
Samantha Clarke, a student of Yvonne Kenny's, has received the school's most esteemed award for soloists.
Cicada song is a vividly Australian sound. Kate Moore tells us how these ‘little stringed instruments’ inspired her new work for the Australian String Quartet.
Labor and the Greens have announced their visions for arts and culture, while the Coalition is yet to release a formal policy.
Rossini’s rarely-performed opera was written for the coronation of a king, with all the excess that entails. Director Damiano Michieletto explains how he got to grips with an opera that’s more showpiece than drama, and why he had to set it in an art gallery.