Limelight Magazine’s Letters to the Editor: March 2019
We’d love to hear about the performances you’ve loved (or hated), the music you’re listening to or your favourite artists.
We’d love to hear about the performances you’ve loved (or hated), the music you’re listening to or your favourite artists.
Benjamin Beilman, Giordano Bellincampi and the TSO deliver a truly outstanding evening of music.
Perfect compilation proves Aussie sisters have been doing it for themselves for a century.
He receives a $5000 cash prize and the chance to perform with the orchestra.
The Kiwi Heldentenor, one of the leading Wagnerians of his generation, talks about his new album of German lieder, his idol Fritz Wunderlich, his new opera role, and “commuting” from New Zealand.
The composer takes us inside her new work, which is inspired by four Michael Leunig prayers and soon to premiere in Sydney and the US.
Hector Berlioz died 150 years ago this month. His music was largely ignored for more than 80 years after his death, his maverick style misjudged as eccentric, outlandish and even amateur. We pinpoint the event that led to a true appreciation of his genius.
Asher Fisch paints vivid musical landscapes in the SSO's Scottish concert.
Lise Lindstrom's potent Salome sweeps everything in her wake.
Trio Mediaeval and trumpeter Arve Henriksen offer a taste of how Vikings might have sung and composed.
Carl Vine’s final season for the Musica Viva Festival is a study in contrasts. We talk to the outgoing Artistic Director about his legacy, an exciting new octet and one tantalising Trout.
Eight talented young musicians will take part in the ACO's prestigious mentoring program.
The internationally renowned recorder virtuoso has won the $60,000 Individual Award at the 2018 Sidney Myer Performing Arts Awards.