In a new Platform Paper, the composer considers how Indigenous cultural life has been appropriated in music, and suggests more meaningful engagements moving forward.

A rare four-course degustation evening whose every bite was to be savoured.

Artists pair up as the Festival gets into full swing.

A crack squad of international guests get the 2019 Musica Viva Festival off to a flying start.

Guy Noble reflects on the astonishing pianist whose name lives on in an award from the Accompanists’ Guild of South Australia.

The composer tells us about his new song cycle for two sopranos, piano four hands and strings, which premieres at the Coriole Music Festival.

The German clarinettist tells us about the instruments that lay under and on top of the piano, career choices and the challenges and pleasures to be found in Mozart, Weber and working with Yuja Wang.

Unfortunately, this recording's Lady M fulfils all of Verdi's expectations and then some.

The composer tells Limelight about her new flute concerto, ‘haiku moments’ and why playing clarinet in the orchestra gave her flute envy.

Opera Queensland's production of Verdi's Requiem for the Bleach* Festival will draw on the natural environment of the Gold Coast, with a few surprises thrown in.

The first musical to be staged for Handa Opera on Sydney Harbour surpassed ticket sales for 2015’s production of Aida.

From Dame Emma Kirkby to Elena Kats-Chernin, not to mention a jam with local folk band Malumba, Harriet Cunningham reports on an Easter long weekend at the Four Winds Festival.