Review: Chopin (Cédric Tiberghien)
Tiberghien shows there’s much to be gained from holding back.
Tiberghien shows there’s much to be gained from holding back.
Imaginative intricacies reveal a voice worth getting to know.
Music’s peerless scene painter, Claude Debussy often relied on his own imagination rather than first-hand experience, reflects Gerald Larner. Yet his ability to conjure up images and moods was little less than miraculous.
A touching tribute to an absent artist and a superb account of Mahler Ten makes this evening a gift.
The Royal Philharmonic Orchestra’s Managing Director has raised eyebrows by suggesting the term “orchestral music” comes with less of a stigma.
An Austro-German program of two Classical works and two Romantic, long on youthful enthusiasm.
Two decades after Murray Bail’s novel, Damian Barbeler has a work that harnesses the beauty and variety of Eucalyptus trees.
A WWI artefact offers a song of sanity in a world gone mad.
Berlin issues a handsome birthday box.
Ahead of her intimate recital, Gu speaks about performing in a salon, forging connections with the audience, and bringing the music of the East to western audiences.
The Tasmanian-born pianist is celebrated with a generous 10-disc box set.
The Australian soprano spoke to Limelight ahead of her performance with the Sydney Philharmonia Choirs.
From Gosfield’s spiky cactus needles to Lang’s hard-edged swagger, this was a cracking start to Ensemble Offspring’s 2018.