Limelight Magazine has a brand new website!
Not only are we continuing to expand our music and arts coverage, we now have a new-look website.
Not only are we continuing to expand our music and arts coverage, we now have a new-look website.
The section principals have issued a statement in support of the conductor and CEO David Pratt amid allegations of a "toxic culture".
Rachel Podger and OAE deliver stormy darkness and warm, sunny light.
The Orchestra's Chairman refutes an "aggressive" story, but a former employee corroborates some of the criticisms.
Sako Dermenjian, in his first year at the Sydney Con, will perform at a festival showcasing the talents of refugees and migrants.
The Kiwi baritone talks about why the concert was such a hit and why he’s happy he has lots of opera in his diary.
The Australian composer talks about bringing the Six Piano Project to Oz and her new album Novum with Nimbus Trio.
Robert Macfarlane delivers robust tone and diction to die for as Belshazzar.
Digital entry for the rebooted awards, now under the management of the Music & Opera Singers Trust, is open until March 6.
Bizet at Trump’s border wall brings back a certain relevance.
With Clive Paget now Editor at Large in New York, Jo Litson steps into his shoes.
With the MEAA conducting a survey into sexual harassment in Australian theatre, Limelight asked the orchestras about the issue.
Opening night belonged to Australian soprano Helena Dix in the role of Queen Elizabeth I.